Collings D1 Custom
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Q top, Serial# 36792
From Collings:
“Q Spruce” refers to high-performance guitar soundboards supplied by our wood vendor, Pacific Rim Tonewoods, that have been sonically graded using advanced acoustic science. While traditional wood grading (A, AA, AAA) focuses on aesthetics, Q Spruce is graded based on its physical and musical properties, specifically its damping coefficient, known in physics as the “Q factor.”
Q Spruce is typically Sitka or Lutz spruce that has been analyzed using a technology called BING (Beam Identification for Non-destructive Grading). Developed in partnership with European wood laboratories, this process involves striking a wood billet with a standardized impulse (a steel ball) and using high-precision microphones and software to measure its vibration.
The most critical metric is “Q,” which is the inverse of damping. In simple terms:
- Low Q (High Damping): The wood “soaks up” the energy of a vibrating string, causing the note to die out quickly.
- High Q (Low Damping): The wood resists internal friction, allowing sound to radiate efficiently and sustain for much longer.
The Benefits of Q-Graded Tops
There are several benefits of Q Spruce from a player and collector perspective, including resonance, responsiveness, sustain, volume, and consistency. Since high-Q wood does not “swallow” the vibration of the strings, the guitar is more responsive to a light touch and more powerful when driven hard.
The process also provides our head luthier, Steve Nall, with even more information for wood selection and voicing of individual instruments.
Finally, as Q-graded tops are increasingly recognized as premium offerings, knowing a guitar was built with “High Q” spruce also provides a technical pedigree that complements the aesthetic beauty of our instruments.
The square-shouldered 14-fret dreadnought is the most popular steel-string acoustic guitar body shape in the world. While Collings is certainly not the only company to build them, we bring a new tonal clarity to the depth and warmth usually associated with such a large, deep-bodied guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, Collings versions are also often employed by bluegrass
flatpickers who must compete with inherently louder instruments such as banjos and fiddles. The wide range of woods and neck sizes offered allow dreadnought fans to find a Collings model ideally suited to their playing style and tonal preference.
| Top | Sitka spruce |
| Back & Sides | Honduran mahogany |
| Neck | Honduran mahogany |
| Body Binding | Tortoise with b/w/b/w top purfling |
| Fingerboard Binding | None |
| Peghead Binding | None |
| Bridge | Ebony belly-style with 2 3/16" spacing |
| Fingerboard | Ebony with MOP long dots |
| Fingerboard Radius | 14" - 26" compound |
| Bridge Pins/End Pin | Ebony with MOP dot |
| Nut | Bone, 1 11/16" |
| Saddle | Bone, drop-in |
| Neck Profile | Modified V |
| Peghead Profile | Square |
| Neck Joint | Mortise & tenon hybrid |
| Truss Rod | Fully adjustable |
| Frets | Medium 18% nickel-silver |
| Peghead Veneer | Ebony with MOP Collings logo |
| Tuners | Nickel Waverly |
| Backstrip | 1-style (Walnut) |
| Rosette | b/w Purfling |
| Scale Length | 25 1/2" |
| Brace Material | Sitka spruce |
| Brace Pattern | Pre-war scalloped X-brace |
| Body Finish | High gloss nitrocellulose lacquer |
| Neck Finish | High gloss polyester resin |
| Pickguard | Tortoise |
| Strings | D'Addario EJ-17 (.013"- .056") |
| Case | Deluxe hardshell case by TKL |
